Shining Knight #1: "The Last Of Camelot"
We open on a weirded out version of the Knights Of The Round Table. They're fighting demons with laser guns. It's possible that all the things I said before about low-level personalized conflicts might have been a bit premature. After all, what we're seeing here is a completely mad and epic battle between good and evil.
We're finally introduced to the Queen Of Terror here, as Justin (the Shining Knight in question) is seperated from the rest of the Knights and discovers an artifact that could turn the tide of the battle. Although we're still early on in the series, there have been a lot of artifacts in the books, and they all serve as a kind of lynchpin to the events in the opening chapters of each series. Strangely enough, they all can be found in the center of a strange body of water; ocassionally blue, occasionally green, occasionally toxic. In Justin's case, it's cauldron surrounded by a green lake that, apparently, flows through time itself.
This seems to hold true as Justin and his talking flying horse Vanguard follow the cauldron into the lake and end up in present day Los Angeles.
Like all the first issues of the Seven Soldiers books, this is simply an introduction story, a set-up to propel our protaganist into the first of three relatively stand-alone adventures. Mired as it was in celtic language and mythology, it was the least impressive book to me upon first reading. It's clear that this first issue holds an enormous amount of detail about the true nature of the threat that the Seven Soldiers will be facing, but overall it didn't really knock my socks off. Especially after the emminently relatable adventures of The Whip and her cabal in #0, this story about a Knight Errant just wasn't as engaging. As a repository of detail, however, it works pretty well.
One of the better things about this particular story is the way that QoT seems to personify all of our fairy tales and legends about evil queens and stepmothers. When she says "Let them relearn all their secret sciences and magicks," one gets the impression that all of our modern day myths are just trace memories of the atrocities that we see first hand in the opening scene of this issue: The Harrowing Of Avalon. 10,000 years later, we're left with a world with no mystery and no magic left. Only darkness.
Not the most original of conceits, but it does have potential when you put it in the context of the rest of the series. So, while it didn't leave as strong an impression as the prequel material, it does seem to be a necessary starting point to the series. Onward and upward. Or, in Justin's case, downward.
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